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Someone to Care is a highly engaging and contemplating story for historical romance readers. ~ Amanda, Guilty Pleasures
Blurb:
Once the Countess of Riverdale, Viola Kingsley throws all caution to the wind when adventure calls in the form of a handsome aristocrat. . . .
Two years after the death of the Earl of Riverdale, his family has overcome the shame of being stripped of their titles and fortune–except for his onetime countess, Viola. With her children grown and herself no longer part of the social whirl of the ton, she is uncertain where to look for happiness–until quite by accident her path crosses once again with that of the Marquess of Dorchester, Marcel Lamarr.
Marcel Lamarr has been a notorious womanizer since the death of his wife nearly twenty years earlier. Viola caught his eye when she herself was a young mother, but she evaded his seduction at the time. A prize that eluded him before, she is all the more irresistible to him now although he is surprised to discover that she is as eager now for the excitement he offers as he is himself.
When the two defy convention and run away together, they discover that the ties of respectability are not so easily severed, and pleasure can ensnare you when you least expect it.
Someone to Care isn’t your typical romance but is one of a mature couple finding passion and love for the first time. Both main characters 
had disastrous first marriages and have been walking different paths before they saw each other again. Viola Kingsley is a widowed former countess who has lost everything and throws caution to the wind for a sexual dalliance with Marcel Lamarr, the Marquess of Dorchester. Marcel has become a rogue to the highest order after the death of his first wife and was smitten with Viola 14 years ago when he first set sight on her. Viola turned him away all those years ago but can she now accept him for what he is and have a walk on the wild side for once in her life?
This was a wonderful story to see how these two lost souls find love but they realize there is more to them than what they think, and how family really means something after all. Marcel has only thought of himself for so long and puts his enjoyment above his duty and family. He has had many women, and now that he’s been with Viola, she isn’t what he expected. He didn’t grow tired of her and that puzzled him. Ever since Viola’s world turned upside when she found out her marriage was bigamous, she went through the motions but finally had enough. She cracked and needed to run away from her life and be alone. Was it fate that threw Marcel in her path on her way home? She thought so and took a chance to have a fling and do something for just herself. Unfortunately, both their families found out about their tryst and Marcel and Viola are caught up in drama and doing the right thing. Doing the right thing for the wrong reasons isn’t always the way to go, as both Marcel and Viola found out. Thankfully it all worked out in the end.
The author has done a wonderful job creating a love story for two very deserving individuals who do a lot of reflecting on how to proceed forward with their relationship. I love that their families play a small part in this and cheer for them to get their act together. Mary Balogh is one of my favorite historical romance writers and this story spoke to me. Someone to Care is a highly engaging and contemplating story for historical romance readers. It’s never too late to find love and get a second chance at happiness.
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Excerpt
It felt like a lifetime. Or like something from another life altogether. But here he was, fourteen years older and fourteen years more attractive, though there was a greater hardness now to the handsome, austere features. She wondered, as she had wondered at the time, why he had taken her literally at her word. He did not seem like a man who took kindly to being told no. But she had told him to go away and he had gone. His feelings for her, of course, had not run more than skin-deep. Or groin deep, to be more blunt about it. And there had been plenty of other women only too happy to jump to his every command.
“I stand corrected,” he said in that soft voice she remembered well. He had never been a man who needed to raise his voice. “Was there a time limit?”
How did one answer such a question? Well, with a simple no, she supposed. There was no time limit. She had sent him away and had intended that it be forever. But here she was alone in a room with him fourteen years later, and he had spoken to her again and asked a question. He did not wait for the answer, though.
“Now how am I to interpret your silence?” He strolled to the table nearest the door, pulled out a chair, and sat on it, crossing one elegantly booted leg over the other as he did so. “Having sent me away once, you have nothing more to say to me? But you have already said something. You have corrected my defective memory. Could it be, then, that you hate to repeat yourself by inviting me yet again to go to the devil? Or could it be that you do not wish to admit that company—any company, even mine—is preferable to none at all when one is stranded in a godforsaken village somewhere in the wilds of England? I assume you are stranded and have not come here with the express purpose of jollificating with the locals and helping save them from being rained upon on Sunday mornings?”
The mere sound of his voice sent chills up her spine. Just because it was so soft? And because he spoke unhurriedly, with the absolute certainty that no one would dream of cutting him off?
“Jollificating?” she said. “Is it a word?”
“If it is not,” he said, his eyebrows lifting, “then it ought to be. Perhaps I should give serious consideration to writing a dictionary. What do you think? Do you believe it would rival Dr. Johnson’s?”
“With a one-word entry?” she said. “I very much doubt it, Mr. Lamarr.”
“Ah, but you do me an injustice,” he said. “I could think of ten words without having to frown in thought and pummel my brow. But why is it you will not answer a direct question? Was there a time limit? And are you stranded? All alone?”
“The axle of the carriage in which I am traveling came perilously close to breaking,” she said. “The coachman does not believe we will be able to resume the journey until tomorrow morning at the earliest.” Why was she explaining?
“I took a glance out into the innyard before stepping in here,” he said. “There is no sign of a private carriage. Has yours by chance made off without you, the imperiled axle story just one big hoax to be rid of you? But that is unlikely, I must admit. You did not—surely—arrive here in that apology for a conveyance that is listing hard to the northwest and looking for all the world as though it will not be fit to go anywhere for the next eternity or two. Or did you? A hired carriage, Lady Riverdale?”
“That is no longer my name,” she said.
“A hired carriage, Miss Kingsley?” He sounded pained.
“How are the mighty fallen?” she said. “Was that your meaning, Mr. Lamarr? Then why not say so?”
Long, elegant fingers closed about the handle of his quizzing glass, but he did not raise it to his eye. “Riverdale was a blackguard,” he said. “If it was your idea to completely disassociate yourself from him, even in name, then I congratulate you. You are better off without the connection. Kingsley is your maiden name, I assume?”
She did not answer. She looked down at her coffee in order to break eye contact with him. There was still half a cup left. It would be cold by now, though. Besides, she was not sure her hand would be steady enough to lift the cup without revealing her agitation.
“Miss Kingsley,” he said after a few moments of silence had passed. “Are you going to send me away again? And spend the rest of the day alone?”
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